• AbsolutePain@lemmy.world
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    3 months ago

    I’ve been trying to practice daily, even if only 30 minutes. It has really, really made a difference.

    It’s not linear. By that I mean that 30 minutes daily is more than twice the improvement over 30 minutes day on day off.

    Definitely trying to stick to daily practice.

  • ape_arms@lemmy.world
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    3 months ago

    Thank you. Good message. Also, stop comparing yourself to master players. It’s ok to aspire, but be realistic.

  • Skua@kbin.earth
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    3 months ago

    I’ve barely picked the thing up in months because of my health and this post got me to re-learn a part

  • SirSamuel@lemmy.world
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    3 months ago

    Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you… It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.

    Ira Glass

    • AngryCommieKender@lemmy.world
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      3 months ago

      I was at an after recital/concert meet and greet with Itzahk Perlman. I was around 8 or 9 at the time. One of the other kid’s mothers asked him if he enjoyed practicing as a child. She was horrified when he answered honestly, saying that he hated it and his parents had to make him practice until well into his teens. I snickered, and my mom swatted the back of my head to keep me quiet.

    • Manticore@lemmy.world
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      3 months ago

      Totally agree. I never really go for the advice that it’s good enough just because you tried your best, or put your heart into it, or felt like you were expressing yourself. Sometimes it still sucks. That’s not to say it’s a reason to give up, though. If anything it’s a reason to keep trying. After 30 years of playing music, I don’t think that feeling ever fully goes away, either.

  • FiveMacs@lemmy.ca
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    3 months ago

    can confirm. as someone who sucks, just give’er bud!

    I’m currently forcing myself to crawl the fretboard like a spider. it’s slowly coming along. I shall be a bluegrass campfire player in no time.

        • ORbituary@lemmy.dbzer0.com
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          3 months ago

          Papa is a great player, as is Trapp. I’ve been playing 30 years and have recorded a bunch, but I am always looking to expand my skills. There is no way for me to know how to advise you, but this course informed me and helped me see things differently.

      • FiveMacs@lemmy.ca
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        3 months ago

        I will for sure check him out. thank you!

        I aspire to be like Doc Watson, or Billy Strings. something like this from Billy Strings eyes closed, and just…let go

        it starts at :28 seconds, couldn’t find the timestamp link.

    • slothrop@lemmy.ca
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      3 months ago

      just giv’er bud

      Agreed, though when combined with a few beers, the ghost of Jeff Beck best beware!

  • basketugly@lemmy.world
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    3 months ago

    I been playing >30 years. You DO NOT have to create music that has ANY commercial value.

    I was happy to play whatever I want all this time. I am dope, I do not need any confirmation from anyone.

    If I play a song you like, you will say I am good. If I play something you don’t like, you will say I am bad.

    I will not change what I am doing to make money off it. That’s it.

    Play what you want. I encourage you to create a new style of music, what could be greater as a musician?

  • RFKJrsBrainworm@sh.itjust.works
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    3 months ago

    You answered perfectly…I’ve been playing 30 years but never well enough to be in a band…if you don’t know guitar I’m pretty good if you know how to play you’d see I’m okay ish at best

  • AstralPath@lemmy.ca
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    3 months ago

    Play anyway indeed.

    I’ve found in the last year or so that being comfortable with learning songs/riffs that feel like they’re way beyond my current skill level has leveled up my playing significantly.

    If a super cool but crazy difficult riff is at 200bpm, I’ll just learn how its played at 100bpm; burn that into my muscle memory and then slowly work on speeding it up. I might only get to 180bpm but now I know how this crazy riff works and crazy riffs often have creative techniques or interesting chord voicings so I pick up a ton of new stuff along the way.

    If I could recommend anything for the intermediate guitarist its to aim for stuff that you think is out of your league and don’t worry about playing it at 100% speed. Just absorb the experience you get learning advanced stuff and you’ll get to use it in your own music or slingshot your way to a higher level of playing without making it into a slog through endless exercises.

    • meep_launcher@sh.itjust.works
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      3 months ago

      As a teacher and performer I would also add:

      Play with others. Finding a community of friends who accept your challenges and want to see you succeed will turbo charge your ability. Also you get live feedback and each “performance” is pressure to practice towards.

      I once had a teacher ask me “you know how to get better?”

      “I know, practice, practice, practice”

      “No. Perform, Perform, Perform”

      Even just at an open mic or a jam. Hell, my favorite open mics were in Chicago dive bars where someone was singing out of tune on 3 chords- so long as there is friends, drink, and music, you’ll be just fine.