I liked Stealth’s soundtrack when it came out. Radio had gotten quite corporate-stale at the time, and the tracks had a upbeat rock personality I did not know I wanted to explore. I’m no audiophile, and it is not something I actually pursued. It was just something I noticed at the time. I rarely take notice of stuff like that.
In terms of movie music in general, anything from John Williams is amazing to me. I think it is because John has a knack for communicating logical empathy and emotions in music that tells a parallel story within the scenes of the movie. He is not creating a simple background soundscape or echoing the emotions the visual storytelling. Instead, he is sneaking in behind you from the shadows and taking on a staring role in your experience without ever announcing himself or allowing you to see how he expands the performing stage. After that initial experience of the film, when you hear any small part of John’s score, that entity he conjured comes to life again, reminding you of his unspoken staring role in ways no one else I know of is capable. Some others certainly create beautiful backgrounds and soundscapes, but I have never experienced anyone else that conjures a presence in the same way as John Williams.
Williams has a gift for creating a general theme, character motifs, and layers of the music that don’t just sing but tell you the story you’re seeing. He’s our Mozart or Beethoven who was around at the right time to use the vehicle of cinema to paint his pictures.
I liked Stealth’s soundtrack when it came out. Radio had gotten quite corporate-stale at the time, and the tracks had a upbeat rock personality I did not know I wanted to explore. I’m no audiophile, and it is not something I actually pursued. It was just something I noticed at the time. I rarely take notice of stuff like that.
In terms of movie music in general, anything from John Williams is amazing to me. I think it is because John has a knack for communicating logical empathy and emotions in music that tells a parallel story within the scenes of the movie. He is not creating a simple background soundscape or echoing the emotions the visual storytelling. Instead, he is sneaking in behind you from the shadows and taking on a staring role in your experience without ever announcing himself or allowing you to see how he expands the performing stage. After that initial experience of the film, when you hear any small part of John’s score, that entity he conjured comes to life again, reminding you of his unspoken staring role in ways no one else I know of is capable. Some others certainly create beautiful backgrounds and soundscapes, but I have never experienced anyone else that conjures a presence in the same way as John Williams.
https://www.youtube.com/watch?v=2xb-uxU6HqM&list=PL_vuAt0lzRbC-IACRMRgkgfV3mKztRAKL
Williams has a gift for creating a general theme, character motifs, and layers of the music that don’t just sing but tell you the story you’re seeing. He’s our Mozart or Beethoven who was around at the right time to use the vehicle of cinema to paint his pictures.